Jim Mathis

Sunday, August 3, 2008

Techies vs Musicians

We had an eight hour seminar at our church this weekend about sound reinforcement. Two consultants from out of town came to help us out.

As expected, the technical information they presented was right-on, but some of us had a different philosophy concerning who is responsible for the sound quality. In fact they would probably object to my term “sound reinforcement.” Sound reinforcement implies helping the sound that is already there, not recreating all new sound. It all comes down to who is in control – the performers or the sound people.

I have been involved in music for over fifty years. I am sixty and I started playing when I was eight. Those fifty years have been has roughly divided in half as running sound and performing, a years of one and then a few years of the other, or mixed up, so I believe I have a balanced view. I believe that whoever is on stage is responsible for what they sound like. The sound people are there to help and advice. If your name is on the marquis and the ticket stubs, you are ultimately responsible for everything from the quality of the sound to whether the T-shirts shrink. Leading worship is not that much different. If you are up front, you are responsible for your sound.

The consultants we heard from strongly suggested that 1. the sound person is in a better place to hear (possibly) and 2. the musicians don’t know what they are doing anyway (not likely.)

They would want 100% of the control of the sound to be from the sound booth. This would involve eliminating all acoustic instruments such as drums and grand piano, and eliminating all amplifiers from the stage. The bass, guitars, keyboard, electronic drums would all go directly into the house mix and everything would be controlled from the back.

I would suggest that if the musicians have no control over the sound, the next step is to just play tracks. This would certainly make the sound person’s job easier.

I played for years with the mixer on the stage so the members of the band could reach it. (We seldom needed to.) I am thinking of going back to that system. If we play in a large venue, we could just give the sound tech one line out and we would keep all of the control on the stage. I have played at large festivals where every band sounded bad because of incompetent sound people, but nobody (musicians) was willing to do anything about it.

When my band plays a large venue (over 500 people) where a sound person might be necessary, I always tell them to set the stage monitors so we are hearing exactly what the audience is hearing. I then ask them to give us four microphones, all alike and set the same so that we can use them interchangeably. After a short sound check, leave everything alone so we can tell what we are doing. For smaller venues, we only mike the vocals. I know this is old school, but new ways aren’t always better.

I realize that this is a minority view and most sound techs would never give up the control they think they need.

One common mistake that artists make is giving up control of all sorts of stuff. They might hire a manger, get a record deal, hire a tech crew, etc. In each case, they are losing control of the product – the music, and themselves. Avoid this as much as possible.

Two different approaches to sound. Which is right and which is wrong? This is my opinion.

What do you think?

Wednesday, July 30, 2008

Jubal

Genesis 4:21 mentions a man named Jubal. He was the son a Lamech and Adah. The Bible describes him as the father of all who play the harp and flute. It is hard to tell if he was the first to invent musical instruments, the first to play professionally, or just a key figure in the history of music. What we do know is that he was the first person mentioned in ancient history with some sort of a passion for music.

Genesis 4 also mentions his brother, Jabal, as the father of those who live in tents and raise livestock, and another brother, Tubal-Cain, as the father of those who work with bronze and iron. It would not take much interpretation to say that rancher, metal worker, and musician are the first three professions clearly spelled out in the Bible. A few verses later the scripture says that “at that time men began to call on the name of the Lord.” Worship of God was closely associated with music from the beginning.

It also appears that these three professions provide for some clearly basic needs of people. The rancher raises food, the metal worker makes tools, equipment, and decorative ideas for pleasure; while the musician connects with our emotions and provides the pleasure needed after working cattle, providing food, and working with tools all day.

In Genesis 31, when Jacob was fleeing Laban, his father-in-law (and uncle.) Laban caught up with him and scolded him saying, “Why did you run off secretly and deceive me? Why didn't you tell me, so I could send you away with joy and singing to the music of tambourines and harps?” Hey, if knew he was leaving he would have hired a band.

The point is music dates back to the earliest days of mankind. It has been used to worship God, celebrate special occasions, heal wounds, bring down walls, and lift spirits. In I Samuel 16, King Saul falls into a depression and he calls for his counselors to find him a good harp player to cheer him up. David is summoned and plays so beautifully that the King’s spirits are restored. It turns out that even ancient Kings liked to hear some blues and David becomes a permanent fixture in the Kings court. David goes on the write the definitive hymn book called the Book of Psalms.

In the New Testament, Paul consistently challenges us to worship God with “psalm, hymns, and spiritual songs.” Rather than defining each style, let’s just say that we should play and sing all kinds of music to God and all kinds of music to each other.

It is clear from the book of Genesis on, that God made everybody to be different. Cain raised crops and Abel tended flocks. God made some of us to be work with animals, other to work with numbers, some to work with pictures, and some with sounds. Every person is different and designed for a purpose by our Creator.

We may call these differences a calling, a gift, a talent, a knack, or just an inclination, but clearly God had something in mind when he made us. For some of us the desire to make music is so strong that it extends throughout our entire lives and affects everything we do. I would call that “The Gift of Music.” (Some might call it a curse, but I wouldn’t.) I don’t think it is a spiritual gift of the type mentioned in I Corinthians 12. Music is so important that if were a spiritual gift such as healing, prophecy, teaching, mercy, etc. Paul would have put music in the list with capital letters. Instead, it is not mentioned in this passage. I think, rather, music should be listed among the great passions and pursuits of life.

For one thing, the Spirit doesn’t just come over us and one day we can play. It takes practice and work to become proficient, even for the most naturally gifted.

One concern is young people who show tremendous musical skills and promise, but stop playing and singing after college, as they become distracted by the routine of a job, mortgage, and the daily pressures of life. Our society is not at all kind to artists of any kind.

But some don’t get distracted. A very few make a living playing music, but a few more continue their passion as a hobby, part-time job, or church musician. These are the heroes. The people who keep practicing, keep playing, and keep singing because God gave them a desire to do so. They know the chances of having a hit record are slim to none, but they keep bringing joy to those fortunate enough to hear them at a coffeehouse, at a church dinner, or pick-up their CD in the narthex of the church after a Sunday evening concert.

The tradition goes back to “our father” Jabal. We are an old and noble tribe.

Tuesday, July 22, 2008

Time to hang it up?

MSN’s music web site today carried an article titled “Ten performers who should stop singing.” The implication was that music is for young people and people like The Rolling Stones, Carly Simon, The Who, or Elton John should hang it up.

I hope I don’t have to tell you how I feel about this subject. I presume the article was written by somebody under 30. It is possible that when I was thirty I thought Dean Martin and Frank Sinatra should have retired, but hopefully I am smarter than that now.

The music industry is full of people who were put out to pasture at the peak of their abilities and experience. Some such as Johnny Cash or Al Green were able to find a new audience. Others just keep on doing their thing because they love what they do and will keep playing as long as someone will listen. These people are my heroes.

See my web site: www.ThePassionNeverFades.com

Wednesday, July 9, 2008

Voice lessons

I take voice lessons. My teacher/coach is Ronni Ward (www.ronniward.com). I take lessons for the simple reason that I want to be a better singer. I want to see continued improvement in everything I do. I try to practice regularly and have some sort of disciplined approach to the things that are important to me.

I have kind of a running joke with Ronni that I could refer a lot of people to her, but I feel funny walking up to singers saying, “Hey, you need to take some singing lessons!” I would think that they would already know that.

I am continually amazed hearing people sing or play an instrument, who could improve dramatically with a little coaching or instruction, but instead struggle along for years, never improving, always thinking they know everything.

Tuesday, July 8, 2008

I'm Still Here

As most of you know, I am no longer affiliated with Homer's Coffee House. Glenn Winkler is the new manager and is in charge of booking the performers. Glenn's criteria will probably be similar to mine with a few adjustments for taste and him being less than half my age. He will still want people who put on a professional show, can play 2 hours of interesting music, help people see Christ more clearly, don't insult the audience, are easy to get along with - things like that.

Surprisingly, these things are less common than you would expect. I am going to continue to be involved with music since that is one of my passions. I am still going to send out tips from time to time as I think of stuff. In fact, I have opened a new blog at: www.JimMathisMusic.com where you can check out my latest thoughts on Christian music, musicians, and music in general.

I am energetically promoting my photography business to the performing arts community, so feel free to pass my name on to anyone needing photographs for promotion, CD covers, posters, etc.

Please stay in touch.

Wednesday, June 25, 2008

Listening

A few of us were sitting around after a lovely dinner last weekend discussing what makes a good musician. Some of the qualities of a good musician are: good sense of timing, good pitch, knowledge of music theory, showing up on time, being able to play a lot of different styles, tearing through a startling solo, and so forth. But we all agreed that the most important characteristic of a good musician is the willingness and ability to listen.

Playing in a band is like a conversation. Just waiting your turn to talk or talking when somebody else is talking is not a conversation. In a real conversation, each person is listening to what everybody else is saying and adding something worthwhile to the mix at the appropriate time. It is the same with music. A good music musician is always listening to the other players and fitting in as appropriate. The appropriateness determines the quality of the player. If the band is backing a singer, the singer is the leader and each player needs to be acutely aware of everything the singer says and does and play accordingly, following dynamics, groove, expression, mood, etc.

Listening also involves listening to other musicians as a way of learning. I believe musicians should greet each other with the question “What have you been listening to lately?” The music we listen to has a big affect on our direction and growth as individual musicians.
As both a photographer and a musician I see a lot of parallels in the two. Music is all about listening and photographer is all about seeing. Both are learned skills that require daily practice.

Glenn and Vanessa Winkler are the new managers at Homer’s Coffee House. Glenn is booking the music for Homer’s. glennwinkler@gmail.com

I am now doing photography full time. Well actually it is about a 85/15 split between photography and music. E-mail me or call about setting up an appointment for your photo session.

Saturday, April 26, 2008

New Guitars

Last weekend several of us from the Homer’s Coffee House community went to Nashville for the Indieheaven CIA Summit Christian music conference. A running joke among our group became the number of guitars different people had and what the latest purchase was. The question is: does a new guitar help you play better?

I am reminded of my early years as a professional photographer. One time I bought a new camera and the quality of my work immediately improved. Surprisingly, when I picked up my old camera, the quality didn’t go back down. In fact each time I would buy a new piece of equipment, my work would improve, even when I used the old equipment.

It seems that the new challenge, or a new feel, would bring out a new spurt of creativity. I expect that the same is true with musical equipment. Obviously, it is not necessary to buy more stuff to play better, but there is an element to the “new guitar” idea that brings out a new sound or a new idea.

I am playing instruments that I have owned practically my whole life, but bringing out different guitars for a season or months at time seems like a good idea.

On another thought, a little bit of humility on stage is very appealing, but constantly tooting your own horn grows old very quickly. I believe this is from Proverbs. (Whoever humbles himself will be exalted and whoever exalts himself will be humbled.) I think it is nice when a lead singer says something like, “give the band a hand” or “give it up for the guitar player,” but only occasionally. Repeatedly doing this is quite annoying. For members of the band to constantly comment how great they are turns people off in a big way. Just don’t do it!

We saw Vince Gill on the Grand Ole Opry Saturday night. People at that level never brag about CD sales or the rewards they have won. They might occasionally thank the audience for supporting them and buying records, but they would never imply that it was all about them. Always thank the audience for coming and supporting you.