Much popular music is overproduced with too many instruments and too much noise going on. Yet when I’m on stage playing, I tend to do the very thing I find so annoying with other groups – namely playing too much.
Taste is the missing ingredient. Playing just the right note at the right time is much better than playing a blaze of notes that don’t fit and only drawing attention to the player and annoying the audience. I’m as bad about this as anyone, but I see the problem and am trying to do better.
I think the reason that many bands play too loud is because each person is trying to be heard over the clutter. As everybody keeps turning up, eventually the audience is heading for the door with their ears ringing, and everybody in the band is blissfully happy that their bit came through. I know - I’ve been there.
This may come from age or maturity, but figuring out that you don’t have to play everything you know, is right up there with learning that you don’t have to tell all you know when speaking. We say what is important to advance the conversation. In music we should only play what is necessary to advance the musical conversation – and not step on somebody else, like the singer for example.
The most common complaint I hear about bands is that you can’t understand the words or that the vocals aren’t loud enough. The real problem is that a lead instrument is covering up the vocals.
I’ve read several articles in music magazines and blogs about this lately, so it must be a topic that is hitting home. It all comes down to listening to what the band is playing and not just trying to get your licks in whether they fit or not.
If we consider that a piece of music is like a photograph or painting, there needs to be some white space, or neutral space, so the important parts can breathe. In a photograph we need to be able to quickly see the subject. If the whole page is covered with information we tend to dismiss the whole thing. It is the same with music.
Chew on the meat and spit out the bones and happy gigging.
Jim
Monday, April 13, 2009
Monday, March 16, 2009
Recording session
This weekend I worked a recording session. I don’t think anybody, particularly me, was overly excited with my performance. When I expressed my frustration to my wife, she was not surprised. She reminded me that I am an entertainer, not a studio musician. Session musician and entertainer are on the opposite ends of the personality spectrum for musicians. This has nothing to do with musical skills and everything to do with personality type.
I am at my best in front of an audience. I get energy from the crowd. Playing with people that I’ve spent hundreds of hours playing music with, doing a song I’ve done a hundred times, in front of a full house is the best. Sitting in a sound proof room with headphones on, playing a song I’ve only played a couple of times, is no fun at all.
That is why big time recording artists use studio musicians to record and take another band on the road. They are two different types of people. Great studio musicians generally lack stage presence or are uncomfortable on stage, and entertainer types are uncomfortable or lack energy, at best, in a studio.
Comments?
I am at my best in front of an audience. I get energy from the crowd. Playing with people that I’ve spent hundreds of hours playing music with, doing a song I’ve done a hundred times, in front of a full house is the best. Sitting in a sound proof room with headphones on, playing a song I’ve only played a couple of times, is no fun at all.
That is why big time recording artists use studio musicians to record and take another band on the road. They are two different types of people. Great studio musicians generally lack stage presence or are uncomfortable on stage, and entertainer types are uncomfortable or lack energy, at best, in a studio.
Comments?
Tuesday, March 10, 2009
Las Vegas
About 35 years ago my wife and I were in Las Vegas. We happened to notice in the local paper that B.B. King was playing in the lounge at the Holiday Inn. We went down and for a few dollars, spent a couple of hours with the “King of the Blues” at the very height of his career. Since then I had just assumed that the best music in Vegas was in the lounges and that the big rooms were for the likes of Barry Manalow and Cher.
Last week I was in Las Vegas and saw where a duo was playing in the hotel lounge. As I approached I heard what sounded like an eight-piece band playing old Motown, Stax, and Chess tunes, you know, ‘60’s R&B. When I looked in, I was surprised to see two guys singing along to tracks. I am sorry, but the subtle differences between singing cover tunes to tracks and Karaoke is lost on me. I am glad I had not paid any money to get in.
The next day I went to a Beach Boys concert. Mike Love and Bruce Johnston were as good as ever, backed by five wonderful musicians, who I am sure were not born when the Beach Boys were formed in 1961. Which brings up the question, when does a band become a “tribute band” to themselves? When the last original member is gone? Or is a band not a tribute band (impersonators) as long as there is a direct link to the original?
I’ve been listening to http://www.rockabillyradio.net lately and loving it. That early rock and roll is just good time music. As a result Sky Blue http://www.skyblueband.net/ has been taking on a little more of a “rockabilly” flavor. I think this is a good thing. It sort of makes me wish I still had my 1950’s Gibson ES-125, the one with the single P-90 pickup. I traded it for a 1961 Thunderbird in 1967, but that’s another story.
Last week I was in Las Vegas and saw where a duo was playing in the hotel lounge. As I approached I heard what sounded like an eight-piece band playing old Motown, Stax, and Chess tunes, you know, ‘60’s R&B. When I looked in, I was surprised to see two guys singing along to tracks. I am sorry, but the subtle differences between singing cover tunes to tracks and Karaoke is lost on me. I am glad I had not paid any money to get in.
The next day I went to a Beach Boys concert. Mike Love and Bruce Johnston were as good as ever, backed by five wonderful musicians, who I am sure were not born when the Beach Boys were formed in 1961. Which brings up the question, when does a band become a “tribute band” to themselves? When the last original member is gone? Or is a band not a tribute band (impersonators) as long as there is a direct link to the original?
I’ve been listening to http://www.rockabillyradio.net lately and loving it. That early rock and roll is just good time music. As a result Sky Blue http://www.skyblueband.net/ has been taking on a little more of a “rockabilly” flavor. I think this is a good thing. It sort of makes me wish I still had my 1950’s Gibson ES-125, the one with the single P-90 pickup. I traded it for a 1961 Thunderbird in 1967, but that’s another story.
Friday, January 2, 2009
Worship vs Entertainment
The period from about 1500 AD until 2000 AD is generally known as the Modern Era. We are quickly slipping into the Post-Modern Era.
One of the characteristics of the Modern Era was the elevation of science to a religion. As a result of the Modern Era, other religions, such as Christianity, must now answer to science in the public forum. Christians find themselves defending themselves against things like evolution and astronomy.
Another characteristic of the Modern Era is that art, music, and literature have been subjugated to math, science, and engineering to the point where the arts are only considered good for entertainment, not to be taken seriously like math, science, or medicine, for example.
One of the problems we have in the church is that the things we use to worship God - music, drama, dance, & art - are considered nothing more than entertainment by the secular world. Since we are so influenced by the modern culture, we find ourselves increasing the entertainment value of our worship. (Worship, of course, should not be confused with Christian entertainment which can be a form of outreach.)
I don’t see an obvious solution, except to draw a harder line between entertainment and worship and find new ways to worship God. In my opinion, our worship times are too entertaining and Christian entertainment is little different than worship.
Since we are rapidly moving into the Post-Modern Era, this problem may get sorted out as the arts once again take a prominently place in society.
What do you think?
One of the characteristics of the Modern Era was the elevation of science to a religion. As a result of the Modern Era, other religions, such as Christianity, must now answer to science in the public forum. Christians find themselves defending themselves against things like evolution and astronomy.
Another characteristic of the Modern Era is that art, music, and literature have been subjugated to math, science, and engineering to the point where the arts are only considered good for entertainment, not to be taken seriously like math, science, or medicine, for example.
One of the problems we have in the church is that the things we use to worship God - music, drama, dance, & art - are considered nothing more than entertainment by the secular world. Since we are so influenced by the modern culture, we find ourselves increasing the entertainment value of our worship. (Worship, of course, should not be confused with Christian entertainment which can be a form of outreach.)
I don’t see an obvious solution, except to draw a harder line between entertainment and worship and find new ways to worship God. In my opinion, our worship times are too entertaining and Christian entertainment is little different than worship.
Since we are rapidly moving into the Post-Modern Era, this problem may get sorted out as the arts once again take a prominently place in society.
What do you think?
Wednesday, November 12, 2008
Predestination vs free-will
For millenniums, theologians have been debating predestination verses free-will. Has God a specific plan that we follow whether we know it or not, or has He given us authority to do whatever we want?
The way I have come to grips with this question is to think of it in musical terms. If we are predestined to lead a very specific life, life would be like a symphony orchestra. The score has been carefully written out by a composer. The musician’s role is to play the notes as written. There may be some room for interpretation, but very little. The composer knew what he wanted the music to sound like and the musician’s role is largely passive.
If we all had total free-will, life would just be noise with no form or purpose. Instead, I believe that life is more like jazz. Don Miller talks about this in his book “Blue Like Jazz.” There are key signatures, time signatures, chord progressions, and melodies and variations. In other words there are forms and guidelines to follow, but beyond that we are free to be as creative and wild as we want.
To me life is like blues and jazz. I need to be in the right key, I need to know where the chords are going, I need to stay in time, or at least remember where the beat is, but beyond that I can be free to be as creative as I dare. I think God smiles every now and then and says, “Nice lick,” “Tasty solo there.” Other times He might say, “That didn’t fit so well, do something different on the next chorus.”
That’s the fun and adventure to life. I don’t care for scripted music or music that is too well rehearsed. Life is not like that. We need to work on our chops and be ready to take a solo when it is tossed our way. God intended for life to be an adventure – like jazz.
The way I have come to grips with this question is to think of it in musical terms. If we are predestined to lead a very specific life, life would be like a symphony orchestra. The score has been carefully written out by a composer. The musician’s role is to play the notes as written. There may be some room for interpretation, but very little. The composer knew what he wanted the music to sound like and the musician’s role is largely passive.
If we all had total free-will, life would just be noise with no form or purpose. Instead, I believe that life is more like jazz. Don Miller talks about this in his book “Blue Like Jazz.” There are key signatures, time signatures, chord progressions, and melodies and variations. In other words there are forms and guidelines to follow, but beyond that we are free to be as creative and wild as we want.
To me life is like blues and jazz. I need to be in the right key, I need to know where the chords are going, I need to stay in time, or at least remember where the beat is, but beyond that I can be free to be as creative as I dare. I think God smiles every now and then and says, “Nice lick,” “Tasty solo there.” Other times He might say, “That didn’t fit so well, do something different on the next chorus.”
That’s the fun and adventure to life. I don’t care for scripted music or music that is too well rehearsed. Life is not like that. We need to work on our chops and be ready to take a solo when it is tossed our way. God intended for life to be an adventure – like jazz.
Monday, November 10, 2008
Rock & Roll Hall of Fame
Geography is important. As Jimmy Buffet said, “Changes in latitude, changes in attitude, nothing remains quite the same.”
This year, Louise and I have had the opportunity to visit some landmarks important to musicians. In January we went to Memphis – the birthplace of rock & roll. We hung out on Beale Street, went to Sun Studios, The Rock & Soul Museum, the Gibson guitar factory, and of course, Graceland, home of Elvis Presley.
In July on a trip to Los Angeles, we not only hit some Beach Boys sights, but drove up Laurel Canyon where in the 1970’s a lot of musicians lived and jammed. Out of Laurel Canyon, home to Joni Mitchell, Jackie DeShannon, Frank Zappa, David Crosby, and many more, came the Eagles, the Byrds, Buffalo Springfield, Poco, Flying Burrito Brothers, Crosby Stills and Nash, among others.
We’ve been to Nashville many times to see the Ryman and the Country Music Hall of Fame. So this week we went to Cleveland to visit the Rock and Roll Hall of Fame and Museum. This was actually my birthday trip to celebrate my sixtieth birthday.
The term “Rock & Roll” was coined by Cleveland disc-jockey, Alan Freed who also promoted what would be become the world’s first rock concert.
The rock hall contains thousands of artifacts such as Janis Joplin’s Porsche and the tape recorder used to record Sergeant Pepper’s Lonely Hearts Club Band. Clothes, guitars, hand written songs, and thousands of other pieces of history are enshrined in this museum to American culture.
Since I have lived every minute of the history of rock and roll, this was a significant place for me. I was born the same year that the LP was invented and I was two when the first rock song was recorded. I got my driver’s license the year that the Beatles had their first hit. I worked my way through college playing rock and roll music and am still playing every chance I get.
If you can relate to any of these things, you need to go to Cleveland to see all the stuff that made us what we are today.
This year, Louise and I have had the opportunity to visit some landmarks important to musicians. In January we went to Memphis – the birthplace of rock & roll. We hung out on Beale Street, went to Sun Studios, The Rock & Soul Museum, the Gibson guitar factory, and of course, Graceland, home of Elvis Presley.
In July on a trip to Los Angeles, we not only hit some Beach Boys sights, but drove up Laurel Canyon where in the 1970’s a lot of musicians lived and jammed. Out of Laurel Canyon, home to Joni Mitchell, Jackie DeShannon, Frank Zappa, David Crosby, and many more, came the Eagles, the Byrds, Buffalo Springfield, Poco, Flying Burrito Brothers, Crosby Stills and Nash, among others.
We’ve been to Nashville many times to see the Ryman and the Country Music Hall of Fame. So this week we went to Cleveland to visit the Rock and Roll Hall of Fame and Museum. This was actually my birthday trip to celebrate my sixtieth birthday.
The term “Rock & Roll” was coined by Cleveland disc-jockey, Alan Freed who also promoted what would be become the world’s first rock concert.
The rock hall contains thousands of artifacts such as Janis Joplin’s Porsche and the tape recorder used to record Sergeant Pepper’s Lonely Hearts Club Band. Clothes, guitars, hand written songs, and thousands of other pieces of history are enshrined in this museum to American culture.
Since I have lived every minute of the history of rock and roll, this was a significant place for me. I was born the same year that the LP was invented and I was two when the first rock song was recorded. I got my driver’s license the year that the Beatles had their first hit. I worked my way through college playing rock and roll music and am still playing every chance I get.
If you can relate to any of these things, you need to go to Cleveland to see all the stuff that made us what we are today.
Monday, September 15, 2008
The Songs and the Show
My good friend and ace guitar picker, Bob KW reminded me this week that Sky Blue is all about the songs and the show. That got me thinking about the business of music. Music is really retail. Especially as independents, we take the product directly to the consumer. This applies whether it is secular or Christian.
In retailing the two most important ingredients are the products and the showroom or display. The comparably items in music are the songs and the show.
First we have to either to write or find good songs. From my 35 years in retailing, I know it is very hard to sell junk. But even if you have good products, they have to be displayed in an appealing manner if we expect people to buy them.
As musicians, our repertoire is our inventory. We need to decide what to put out, when and how to display it in such a way that people will buy it. If not literally in the form of a CD or download, at least “buy” it in their hearts and remember it.
When we are trying to find gigs, we are really just looking for a place to show our wares. Even more important is having high quality, unique products that people want, presented in a manner that they want to see.
Taking this idea a little further, If you are a mouse in the same room as an elephant, your main job is staying out of the elephant’s way. In retailing the elephant is Wal-mart. The first step to success in retailing is to go to Wal-mart, see what they have, and don’t sell anything they sell. Just stay out of their way.
This is a contrarian approach. Music business experts will tell you to just listen to the radio to see what people like and write music like you’re hearing on the radio. To me that is like a small boutique butting heads with Wal-mart and K-Mart. Doesn’t it make more since to listen to the radio to see what is bland and ordinary and try to do something else?
What do you think?
In retailing the two most important ingredients are the products and the showroom or display. The comparably items in music are the songs and the show.
First we have to either to write or find good songs. From my 35 years in retailing, I know it is very hard to sell junk. But even if you have good products, they have to be displayed in an appealing manner if we expect people to buy them.
As musicians, our repertoire is our inventory. We need to decide what to put out, when and how to display it in such a way that people will buy it. If not literally in the form of a CD or download, at least “buy” it in their hearts and remember it.
When we are trying to find gigs, we are really just looking for a place to show our wares. Even more important is having high quality, unique products that people want, presented in a manner that they want to see.
Taking this idea a little further, If you are a mouse in the same room as an elephant, your main job is staying out of the elephant’s way. In retailing the elephant is Wal-mart. The first step to success in retailing is to go to Wal-mart, see what they have, and don’t sell anything they sell. Just stay out of their way.
This is a contrarian approach. Music business experts will tell you to just listen to the radio to see what people like and write music like you’re hearing on the radio. To me that is like a small boutique butting heads with Wal-mart and K-Mart. Doesn’t it make more since to listen to the radio to see what is bland and ordinary and try to do something else?
What do you think?
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